>>345135
>Go ahead and sit there and say My Hero Academia or One Punch Man isn't successful.
They are not as successful as
OTHER (Non-capeshit) media, which is something that you absolutely refuse to acknowledge.
>It doesn't need to be top of the charts to be very successful.
Going by the way you act, 20 different flavors of capeshit is "variety" by your standards.
>I never said that people only wanted capeshit.
You never outright say it, but it is very much what you keep implying.
>The CCA has nothing to do with Ultraman, Super Sentai, Kamen Rider, or any other Japanese stuff.
Exactly, and that's the reason why Japan has such a diverse range of media instead of 200 different flavors of Superman/Batman labelled as "variety".
>They do, but it's not the most popular stuff.
Do they advertise it (
What series exist?), or talk about it (
Where do people talk about it?), or take any damn pride in it (
Is the story/art actually good/unique?)?
>but you can go out and buy tons of non-capeshit comics
Anon, it says something that
ALL of the non-capeshit comics that I actually do want to buy are,
at minimum, from 20-30 years ago. Do you want to know which ones they are:
Archie's NiGHTS, Dell's Turok, Flash Gordon, Gold Digger,Top Cow's Tomb Raider, XIII
>Only SJWs blame the audience
No, they don't. More than enough creators on the "conservative" side of the political spectrum blame manga and anime for the reason why their comics don't sell, and that the audience is bad and should feel bad for reading Jap propaganda in the first place instead of supporting domestic creators.
>But this is all a moot point because you're pretending that the person making the comics and failing is only making capeshit stuff
Because they are. If they were actually making
OTHER material, then people would be talking about it instead of pulling it out their ass in online arguments just to go, "
Other genres exist, but I won't tell you what they are. But I will tell you about all these comics that are STILL tied to capeshit like Jonah Hex and Swamp Thing."
>That's like saying people don't want sitcoms because sure, Cheers was a big deal, but who remembers The Tortellis?
Cheers was on during the same time as other massively successful sitcoms like
Perfect Strangers,
Family Ties, and
The Cosby Show. Meanwhile, what other capeshit TV series competed against
Smallville (
Aside from cartoons)?
>Oh the fact that it also correlates to every other franchise they turn SJW is a complete coincidence.
Wasn't Marvel and DC bankrupt back in the 80's and 90's, which is the reason why they farmed their properties to other companeis and mediums in the first place? Where was the "SJW presense" 30-40 years ago?
>Let me guess, everyone suddenly got "Indiana Jones Fatigue (TM)" too, right?
You do rememeber that people
hated Crystal Skull, right? All the way back in 2008. But I guess that doesn't matter because the film made almost $800 million so all the hate was just "fake".
>But your argument was never that the movies sucked, it was that people didn't want them, and then you listed one of the most popular ones as an example
I listed
Civil War as an example because everyone I have ever talked to agreed that the film was trash and marked the start of Marvel's undeniable decline in quality.
>It's not like you have to make a choice
Yes, you do, because majority regular people here on planet Earth have a limited resource called money.
>But again, they'd need to publicly apologize for everything they've done, and do some hardcore autist stuff to the movies to try to undo what they did in a way that feels like a meaningful apology. Because it wouldn't just need to be a public apology, they'd need whole movies that were themselves actually about apologizing for it.
And how is that going to work out? Are they going to reboot everything
again, only further proving that the story in these movies doesn't matter so why should audiences get invest in the first place when their favorite characters are going to immediately be made irrelevent? Are they going to
continue the story, thereby requiring that people have to suffer through all the films (And TV series) that killed the franchise in the first place just to be capable of understanding this latest entry? You want to hear a better idea:
How about these companies END these series, give them a funeral, leave the burried in the grave, and never try to continue/remake/reboot those properties ever again?
>This all shifts depending on the specific story arc
And, you're wondering why people are upset?
>"Sure, a few people didn't like that Bud Light turned gay, but what really happened was, by coincidence, everyone else just decided to stop drinking it for no reason. They all just got bored of it at the same time, totally unrelated to the SJWism."
Have you ever considered the possibility that some (
Not all) of these companies were desperate for money, so they were looking for the easiest source of income, and the one with the "fewest" strings attached all happened to be owned by progressives?
As a direct parallel, why do you think all those countries in Africa and Asia accepted the OBOR funds being provided by West Taiwan, and rejected funds that came from the U.S.?
>>345143
>Another potential I see is that comicbook artists are making too much money off youtube
That's a problem in general. I cannot ridicule anyone for wanting to make money off of publishing shit online, but the reality of the situation is that you're not going to be able to have any actual freedom with the content you create unless you have a real job that's paying the bills or you're pulling in numbers comparable to PDP/JonTron/IH.
>I know there was a Judas Priest graphic novel, which I only bought because of the Judas Priest brand name and my love of Heavy Metal iconography.
Like I said, this shit is
NEVER advertised. How are people suppose to know that it even exists?
>>345159
>Shounen manga and anime Yu Yu Hakusho
Okay, but then you have delinquent series like
Beelzebub,
Devil Devil, and
Kyou Kara Ore Wa!! where the protag(s) becomes the king of Hell, keeps trying to get back on top, and actually purusing their dreams of being flithy rich (Respectively).
>Every single season ends with the team being disbanded in some way, and each member going on their individual ways, always becoming mundane wage slaves, even after they literally save the whole world from all sorts of intergalactic, interdimensional, ancient or demonic threats.
If they're publich servants, that's different. In fact, America (
Used to) pride itself on the fact that ordinary people are the ones who came to power, do what's needed to be done, and then return back to their lives like nothing ever happened. What made Washington so great of a president was the fact that he
willingly gave up his power of being president. Congressmen were paid lower than a dog because the point of the job was never about the money, power, nor the fame. The entire point of being a police officer/soldier was that you were laying down you life so that others could live theirs.
>>913547
>capeshit was a industry created by jews to push jewish propaganda[Expand Post]
But Emma Orczy, Johnston McCulley, Walter Gibson, and Lester Dent were white.
>>345172
>You're talking about generations that would never have experienced a time in their lives when most big film releases weren't capeshit.
And, you're wondering why people are tired of it? When they've grown up with films, TV shows, and even vidya that's majority capeshit.
>>345178
>Nobody gives a flying fuck about any Batman story written by Bob Kane, or any X-Men story by Stan Lee and/or Jack Kirby.
Uh, I do!
I want to read the original runs of this material. However, good luck finding this shit these days without pirating and a K